VORTRAG
Tcherepnin is an artist operating at the intersections of sound, sculpture and theater. Attaching synthesizers, computers and amplifiers to small surface transducers (devices that convert electrical signals into vibrations) he orchestrates complex multi-channel compositions in which objects are transformed into speakers. Often invoking queer, hybridized characters such as the Listening Cactus, the Maize Mantis, or the figure of the Pied Piper, Tcherepnin's scenarios cultivate play between things and bodies, compelling the audience to develop a “score” for handling these animated objects. These interactions suggest new possibilities for intimacy with sound, where “listening” involves a more expansive state of activity: listening by touching, listening by opening, listening by feeling, listening by harnessing, or listening by walking.
Tcherepnin's performances and installations include the Museum der Moderne, Salzburg; Overduin & Co., Los Angeles; Whitney Biennial, Whitney Museum of American Art, New York; Roulette, New York; the Museum of Modern Art, New York; Pavilion of Georgia at the 55th Venice Biennale; Murray Guy, New York; the Kitchen, New York; Yvon Lambert, Paris; Karma International, Zurich; Solomon R. Guggenheim Museum, New York; and the 30th São Paulo Biennial. He was a Villa Romana Fellow in 2014.
Rattenfänger von Hameln: Violence and Seduction in Sound
4. Dezember 2019, 12.00 Uhr Kunstuniversität Linz, Domgasse 1, Großer Seminarraum, Raum 2.16
Die Experimentelle Gestaltung lädt zum Gastvortrag von Sergei Tcherepnin. The artist Sergei Tcherepnin will talk about his work from the past ten years working in sound, photography, sculpture, performance and installation.Tcherepnin is an artist operating at the intersections of sound, sculpture and theater. Attaching synthesizers, computers and amplifiers to small surface transducers (devices that convert electrical signals into vibrations) he orchestrates complex multi-channel compositions in which objects are transformed into speakers. Often invoking queer, hybridized characters such as the Listening Cactus, the Maize Mantis, or the figure of the Pied Piper, Tcherepnin's scenarios cultivate play between things and bodies, compelling the audience to develop a “score” for handling these animated objects. These interactions suggest new possibilities for intimacy with sound, where “listening” involves a more expansive state of activity: listening by touching, listening by opening, listening by feeling, listening by harnessing, or listening by walking.
Tcherepnin's performances and installations include the Museum der Moderne, Salzburg; Overduin & Co., Los Angeles; Whitney Biennial, Whitney Museum of American Art, New York; Roulette, New York; the Museum of Modern Art, New York; Pavilion of Georgia at the 55th Venice Biennale; Murray Guy, New York; the Kitchen, New York; Yvon Lambert, Paris; Karma International, Zurich; Solomon R. Guggenheim Museum, New York; and the 30th São Paulo Biennial. He was a Villa Romana Fellow in 2014.
Sergei Tcherepnin
